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Marionettes and spectators

Stories and News No. 1156
So, let's start from here.
Imagine that Giuseppe Conte was a great statesman, he was the Prime Minister elected for his skills and merits, that he authoritatively leaded a two-colored government formed by Luigi Di Maio’s Five Star Movement and Matteo Salvini’s League, who respected the man and relied on his competent and wise leadership. Thanks to the three, Italy was living a brilliant phase of its economic, cultural and social growth.
Well... if you think so, stop here, I understand. I mean, no, I don’t really have any idea of what whirls in your mind, but I don’t think you'll easily agree with the following.
From this point on, then, let's say that Guy Verhofstadt, leader of the Group of the Alliance of Liberals and Democrats for Europe at the European Parliament, is right about what he recently said about Italian premier and the current government.
Let’s consider his accusations reasonable, that Conte is a puppet in the hands of Di Maio and Salvini.
Therefore, according to this thesis, the Italy Premier is a man who accepted his position knowing that, once he took his oath, he would put himself at the service of the other two, following their will, promptly following what both demand.
I mean, like a mother who spoils her two children, undergoing their arrogance, satisfying their whims and enduring their continuous and selfish quarrels, to the detriment of their education. Like a president put in charge of the umpteenth poor country, but with the ground rich of oil, by the nth foreign power. Is it not clear? Like the Bounty’s boatswain who mistreated the sailors and especially the hubs proving to be loyal to Captain Bligh and his cruel management of the crew.
Do you like it? No? Okay, okay. I will be short, then: like a marionette, which, with more or less invisible threads, is maneuvered from above.

So, imagine the scene, like a fairy tale, or a stage play.
Once upon a time there was a marionette of flesh and blood, who, like the well-known wooden puppet, lied knowing he was lying, in his case about his autonomy to decide and lead an entire country.
The marionette of flesh and blood – if Verhofstadt is right, was nothing more than a puppet whose arms and legs, as well as of the mouth, with words and speeches, were driven by his masters.
The puppeteers, Di Maio and Salvini, were above the stage, suitably unseen.
Now, still following the Verhofstadt’s version of Conte and his government, what is lacking in this metaphorical theater is the audience.
In other words, the paying viewers.
Well, it's us, all of us, no one feels expelled from the hall, except the immigrants, given the recent Italian politics.
However, following the metaphor, the spectators are all those who pay with their own pocket, or with their own life, this childish staging. And if the highest price determines the best chair, then let's face it, come on, the more comfortable seats are intended for them, the migrants. Then young people and women, persons with health problems and all the marginalized and discriminated categories of our society.
That’s the fate of those who act as extras in the lucky few people’s dream: to be the protagonists of everyone's nightmare.
Here we are, then, all gathered, in front of the show that has been started for quite a while now.
The marionette talks and dances in an uncoordinated and confused style, sometimes because waiting for the command, others because the two occult directors quarrel with each other.
Yet, most of us assist in good order, some even praising and applauding the performance, even after paying the ticket, and not even having the alibi to not knowing that the actor on stage is a living marionette, but without life.
I leave you with questions that I consider as compelling as unavoidable.
If this is the actual reality in which we live today, what makes us remain seated without protest?
Why we endure, and we are happy with that?
But above all, why we are convinced that this is the best we can have?

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