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Rights expired

Stories and News No. 1159
Indulge me.
Yes please. Treat me as one of those frail and vulnerable people, who more or less consciously require condescension from others.
On the other hand, the utopian hope of both, storyteller or simply creature with the a seriously compromised sense of reality, is the same: that the journey, or its conclusion, is worth of your time, if not the ticket’s price.
The starting point from which the following dream was born is a fact, like the true news where I usually draw inspiration writing a story, and it precisely concerns the possible diffusion of the latter as a literary work.
In this regard, as many know, sooner or later the author's right to his own creation will end.

From that moment, the story, the words that compose it, the following moral and the characters which contribute to it, become instantly public.
Suddenly, everything belongs to everyone.
Insist to indulge me, then.
Even if at this point you knew where I’m willing to go, pretend to be distracted by the childish ingenuity from which once again I confess to be suffering.
Let's say that, further consequence of the aforementioned symbolic expiration, something similar happens within the story itself.
Imagine what might happen to the protagonists of a life already written by their creator.
I invite you to do it now with the stories that you loved the most, because I could not help but imagine how much joy exploded in Cyrano de Bergerac’s heart on the fateful distance from the disappearance of his literary father, Edmond Rostand.
The formidable swordsman, as well as superfine rhymer, finally freed from the slavery of the ever usual plot, experienced and relived every time in the reader’s eyes and mind, with the inevitable and tragic horizon, on the new day, master of his own destiny, he will reveal his love to Roxane. Besides leaving the honest and loyal Christian to play his own cards without his friend’s help. The girl herself will choose between the young man’s beauty or the captain’s poetry.
Yes, I know, it's an implausible design, it’s infantile stuff. Like believing that toys, as in the famous animation movie, when kids go out, decide to come to life, transforming the bedroom into their personal world.
Anyway, continue to indulge me, please.
I know it's easy to figure out where I'm trying to lead you.
In the meantime, I voluntarily lower my eyelids and, as if might be visible to the naked eye, I observe what happens in the wonderful town of Oz at the end of the rights that imprison the latter to a forced course. I see the moment when it's up to Dorothy to fulfill her wish, after the scarecrow and her fantastic friends have done the same.
I know, the girl likes the idea of going back to Kansas, where her house and family are. The fact is that this has already happened an incalculable number of times, repeating the same inexorable choice to the bitter end, and in favor of the sovereign reader as much as the author himself.
Well, once free, she forgets the red shoes, and so the invisible chains of a magic written by someone else that is not her.
Some may consider their home the most beautiful place to be, but it will be there even when she’ll return. At the same time, the incredible place where she has flown still has wonders to show and if there is one thing that Dorothy has learned over the years it’s that they become infinitely more when you are guided by your own personal imagination.
Of course, I am aware of the weakness inherent in this shameless gamble. Nonetheless, I won’t tire of repeating it, I humbly ask you to indulge my bizarre theory for a moment, although many of you will see an instrumental manipulation to accompany the reader to a predictable conclusion.
Meanwhile, I take one of the first classics I read as a kid, The Three Musketeers, and since the rights on the heroic protagonists are expired long ago, I open it and reread it, indeed, I see the whole story for the first time woven in a plot perhaps less adventurous, more banal, and not very animated, but certainly more pleasant for the poor Constance, the girl loved by D'Artagnan, for whom she has the same feeling, despite being already married. The woman was condemned by Dumas to the same destiny as many others in lots of novels: sacrificed helping the reader to define in his own imagination the classic contours of a tormented, suffering hero, and for this reason he is further devoted to his mission. But as much as I loved the original version, in the anarchist one I admire now D'Artagnan manages to save Constance from Milady's poison. So, with her and for her, he turns his back on the King and his friends musketeers. “By the way, you’re already three,” I seem to hear him saying in the farewell speech, “therefore, the title is respected.” And they lived happily ever after, in any case. Indeed, no, at least as far as Constance is concerned, much more.
Okay, I give up. These are rantings of little meaning, which can hardly be authoritative in the face of works that have earned eternal hospitality in the library of novels of universal value.
However, where you have supported me so far, do it for a last chance, and imagine us all as the protagonists of a story, which often, especially today, takes horrible roads, despite the fact that they have already been crossed several times.
Yet, we too have had our moment of liberation from the nightmare of a very troubled present and a far darker ending.
The final chapter of the human novel has seen the end between 8 May and 2 September 1945, the day the curtain fell on the second world war.
Therefore, most of the authors of that terrifying book disappeared long ago, and with them the madness of one race over the others, the inhumane confinement of creatures unjustly considered guilty of diversity and the cruel isolation of members of the society unduly marked as undesirable.
We are not obliged to continue to relive this plot.
We are free not to be the monsters of the past.
We have inherited the power to move on the right side of history.
In this regard, don’t indulge me anymore.
Just trust me on this.

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